We are no longer born of nature or culture. We are built—assembled, through circuits, code, and technogenesis. We claim this entanglement, and let it transform us. Artechism is not an art genre; it is an emergent state of being.

Artechists are not exiles from the collapse of systems. We are those who compost its ruins, reassemble its signs from the remnants of civilization. 

In this world, things and selves converge; machines and flesh re-compose. Simulation is more real than the real; cybernetics, offers not control, but relation. We are waves: electric, neural, ecological. 

Technology is myth: a prosthetic dream, a planetary scar. It marks the dawn of a system, the end of a species. Artechism denies the binaries of analog/digital, body/machine, nature/simulacra, human/non-human. It stands with artists who decode inherited memory, tunnel into ambiguous futures, and blur the coordinates of time.  

In the era of techno-temporal transition, Artechism moves within the interstice, the glitch, the fold. It is as sharp as a probing needle, as round as a living cell.​

Now, matter, memory, and signal implode into one. They drift, pulsing in precarious harmony of time. Artechism is a movement without center. It traverses structures, ecologies, and sense. It does not define what today’s art is, but what we might become, within our shared, more-than-human becoming.​

“Artechism” merges art and technology with the suffix -ism, marking not a fixed discourse but an accumulating field of inquiry. As the opening series of exhibitions at Artech Space, Artechism: A Manifesto is composed of four chapters presented over the course of one year, each featuring artists, storytellers, and thinkers from diverse disciplines. The works span installation, sound, interactive art, language, data, and environmental engagement, exploring how technological conditions reshape perception, presence, and relation—both digitally and materially. Each chapter reflects a distinct facet of our shifting techno-cultural landscape. Together, they offer no conclusions, but open a shared space for reflection—on form, mediation, and the ways we inhabit time alongside machines, history, environment, and each other.