<Ce qui émane du paysage>

In both painting and sculpture, Jacques Brown created a syncretic oeuvre, freely mixing elements of mythological, religious and fantastic inspiration. In the almost square format that he particularly favoured, he applied the paint with varying degrees of fluidity, using vigorous gestures that were undoubtedly influenced by the CoBrA movement. This influence is evident in the numerous drips and splashes that mark the pictorial space, which is entirely dedicated to the artist’s intense subjectivity in response to the spectacle of nature.